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records video to optional SD/SDHC memory cards or optional MMCplus memory cards * an optional 8GB memory card holds approximately 3 to 7 hours of footage, depending on the settings * 680,000-pixel CCD image sensor (460K effective pixels for video) * 34X optical zoom lens (1200X digital zoom) * built-in stereo microphone * 2-11/16" widescreen LCD * ... [Read More]
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Canons new VIXIA HF200 Flash Memory camcorder packs tons of excitement and high-quality imaging power into its small, lightweight body. Capture vividly colored, realistically detailed high definition video and photos with a Genuine Canon 15x HD Video Lens, SuperRange Optical Image Stabilizer, 3.89-megapixel Full HD CMOS Image Sensor, and Canons lat... [Read More]
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The SonyHDR-CX100 is a high definition Memory Stick Duo media Handycamcamcorder that offers 1920x1080 Full HD video recording and 4.0 megapixel still image capture in an ultra-compact, affordable package. While the HDR-CX100 packs a healthy feature set, including a 1/5" Exmor CMOS sensor, BIONZ image processor, Face Detection and Smile Shutter tech... [Read More]
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It seems like everything is going 'digital' these days, and video is no exception. With the proliferation of Digital Video Camcorders, even the neophyte videographer can obtain professional quality results. In this 1/2 hour video, we take you through the types of tape, the types of cameras, and the audio and video formats you need to be aware of to... [Read More]
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The Canon HG20 AVCHD Hard Disk Drive camcorder sets a new standard for High Definition, delivering optimal image quality, long shooting times along with the extraordinary ease and versatility when viewing video on television or a computer. Capture amazing HD video with even greater detail and color reproduction with its innovative 24Mbps capability... [Read More]
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The Flip UltraHD Camcorder combines Flip Video's signature shoot-and-share simplicity with the power of vivid, vibrant HD video. Power on and press record to start capturing incredible HD video in seconds. When its time to share your video, use the flip-out USB arm to connect to any PC or Mac and launch built-in FlipShare editing and video-sharing ... [Read More]

From Photographer to Videographer

Videography is far different from photography. When you are trying to capture great pictures for a portrait or an event, you think in terms of still shots. In your mind the objective is “what will make a great picture.”

Video opens up whole scenes to be captured on film, for better and for worse. But it also opens up a lot of opportunity for mistakes, unexpected results or interruptions and surprises. Not only do you have to continue to think about what makes a great shot, you now have sound and movement issues to factor in.  So while videography is much more fun, it also can be a lot more work.

You are trying to find a middle ground when you start offering video as part of your services. You know that anybody can bring a camcorder and capture video streams. These days they can even do it with their phone. But you want to create a more professional shot than the high school kid with a camcorder. Then again, you are not trying to win an academy award here. So the level of professionalism has to be better than amateur so you can justify charging for it but it doesn’t have to be great art to be a good video that the customer will be happy with.

To accomplish this mix of perfectionism and compromise, a few tips from the pros who have already set up a video business can help a lot. Here are what many of the old pros tell us to focus on especially as we are getting our video business up and running…

The cornerstone advice that the pros give about making great video is plan ahead. The more you know about your shoot, the better equipped you are when you show up. If you are shooting a wedding, visit the chapel, perhaps the reception hall and plan where you will set up to capture the best images. Plan your routes as you move around so you can create a smooth flow that works with the wedding procession rather than interrupts it.

The same is true of any event. Even a sporting event, as spontaneous as that is, will offer some less traveled areas where you can position yourself to catch the action. If the best location for capturing video is above or a distance from the activity, then you know you will need to use zoom and focus differently than if you can be in the middle of the action. This helps you plan how to prepare your equipment and your crew who will be supporting the shoot.

Lighting is something that must be part of your preplanning so you have sufficient light so the action and facial reactions are easy to pick out on the video. Outdoors, keep the sun behind you if at all possible. Indoors, scout out how the existing lighting will look on video during the hours that you will be shooting. If they are not sufficient, you should get in there and set your lights in place well in advance of the event and work with the event organizers so they know your lights will be on during the event. The people who hired you want a great video so they will work with you. But you have to let them know what is going on.

A good video is a combination of stability of the camera and constant movement. So use a tripod to stabilize the shots when the video is being actively shot. But you have to be able to move the set up quickly to a new location. So make sure that your equipment is well maintained and that cameras, tripods and that all supplies are quickly accessible for field changes or repairs.

One of the most valuable insider tips is to shoot with the intention of editing. In that way, you will shoot more footage than you need, knowing you are going to edit it together later. You can go back and capture connecting video shots to smooth out the action and you don’t have to get upset if you get some bad footage. These and many other talents you will develop will take you to that level of professionalism you want to reach. And your customers will notice it too and come back for more of your talented videography.

In my search for the perfect high definition camcorder, the number one contender to date if the VIXIA HF S100 Flash Memory High Definition Camcorder. I runs around a thousand dollars, three hundred dollars cheaper than it’s sister camcorder, the VIXIA HF S10 Dual Flash Memory High Definition Camcorder. The latter records both to SD card and internal memory. The s100, my choice, records only to external flash card.

>>>>>>>>  Purchase the VIXIA HF S100 High Definition Camcorder at B&H Photo

Here’s a second attempt at producing a video through my Vaio’s internal Web cam, using only daylight (minimal). I had to sharpen it a bit in Vegas and I also adjusted the contrast some. The colors are more realistic, though the highlighting (glow) on my forehead and cheeks is a bit disconcerting. My conclusion is that it would be okay to create a quick video using only the Web cam and natural light, or perhaps bulbs which simulate daylight. Still I’m glad the storm has passed and I can go back into my studio and use pro equipment again.

Before I do that, I’ve got to see if I can get rid of the audio timing problem by capturing Web cam footage in Vegas directly.

Using a Web Cam for Web Video

The only adjustment that I made in post was sharpening (through Vegas). I suppose had there been a better looking subject that the results would have been passable. But passable is generally not good enough. Not for pro work. Still I think I’ll try again (since the storm is lingering) using Vegas to capture instead of Arcsoft

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